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Magic chord (as played in The Well-Tuned Piano). [ 3 ] The Magic Chord is a chord and installation (1984) created by La Monte Young , consisting of the pitches E, F, A, B ♭ , D, E, G, and A, in ascending order and used in works including his The Well-Tuned Piano and Chronos Kristalla (1990). [ 1 ]
Minor: Minor chord: Augmented: Augmented chord: ... List of musical chords Name Chord on C Sound # of p.c.-Forte # ... 0 4 7 e 6: Major Magic chord:
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.
"Magic" is a song by British rock band Coldplay from their sixth studio album, Ghost Stories (2014). It was released on 3 March 2014 as the record's lead single, being written and produced by band members Guy Berryman , Jonny Buckland , Will Champion , Chris Martin , while production assistance was provided by Paul Epworth .
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
The dominant seventh (V7) chord G7=(G,B,D,F) increases the tension with the tonic (I) chord C. Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function. [27]
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...