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The history of electric light is well documented, [11] and with the developments in lighting technology the profession of lighting developed alongside it. The development of high-efficiency, low-cost fluorescent lamps led to a reliance on electric light and a uniform blanket approach to lighting, but the energy crisis of the 1970s required more design consideration and reinvigorated the use of ...
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Concerning light as a medium of art, historically light art is confined to the use of artificial light in artworks. This culminates in the paradoxical situation in which machines producing light environments are not the artworks themselves, but the artwork is how they modulate their environments, based on the conventionally taken-for granted ...
By the late 1970s Staller was called "The Light Master" where he made a name for himself using sparklers and other means of light to outline the streets of New York City. He used long-exposures to photos, creating the illusions of light art, which can also be called light painting. [7]
Architecture of the night or nocturnal architecture, also referred to as illuminated architecture and, particularly in German, light architecture, is architecture designed to maximize the effect of night lighting, which may include lights from within the building, lights on the facade or outlining elements of it, illuminated advertising, and ...
These properties make it the natural light of choice in certain styles of architecture, [1] painting [2] and photography. [3] In addition, the cool colour of north light has been studied for its effect on our perception of art in galleries and museums. South of the equator (in the Southern Hemisphere), the same characteristics are seen in south ...
Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or by playing with light through the use of transparent, translucent or reflective materials, Light and Space artists make the spectator's experience of light and other sensory phenomena under specific conditions the focus of their work. [2]
Raking light across a wall, gives a relief like impression. Sunlight at a narrow angle, flowers in the window cast long shadows on an inner wall. Raking light, the illumination of objects from a light source at an oblique angle or almost parallel to the surface, provides information on the surface topography and relief of the artefact thus lit.