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Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Ideas such as equality and open sexuality were very popular during the time and women seemed to capitalize on these ideas during this period. The 1920s saw the emergence of many famous women musicians, including Bessie Smith. Bessie Smith gained attention because she was not only a great singer but also an African-American woman as well as an ...
A style of piano-playing based on the blues, boogie-woogie was briefly popular among mainstream audiences and blues listeners. At the heights of the Great Depression, gospel music started to become popular by people like Thomas A. Dorsey and Mahalia Jackson, who adapted Christian hymns to blues and jazz structures. By 1925, three main styles of ...
It was based on the melody of "Camp Meeting Blues" by Joe "King" Oliver. [82] Ellington's recording is known for the wordless vocal performance by Adelaide Hall. [81] [83] The tune is also known as "Creole Love Song". [79] "If I Had You" is a popular ballad by Irving King (a pseudonym for James Campbell and Reginald Connelly) and Ted Shapiro.
George Bellows, Dempsey and Firpo (1924), Whitney Museum of American Art George Bellows, New York (1911) Ashcan school artists and friends at John French Sloan's Philadelphia Studio, 1898. American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary ...
Although the paintings of Gerald Murphy, Stuart Davis and Charles Demuth during the 1920s and 1930s set the table for Pop art in America. In New York City during the mid-1950s Robert Rauschenberg and Jasper Johns created works of art that at first seemed to be continuations of Abstract expressionist painting. Actually their works and the work ...
In painting, during the 1920s and 1930s and the Great Depression, modernism was defined by Surrealism, late Cubism, Bauhaus, De Stijl, Dada, German Expressionism, and modernist and masterful color painters like Henri Matisse and Pierre Bonnard as well as the abstractions of artists like Piet Mondrian and Wassily Kandinsky which characterized ...