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Other released solo projects include Ukulele Dance in 2012, We Are Made of Stars in 2015, Elemental in 2018 and Hawaiki (2022). [10] [11] Taimane has performed internationally in Japan and Hong Kong. [9] [12] Her album We Are Made of Stars was nominated for Ukulele Album of the Year at the 2016 Na Hoku Hanohano Awards. [13]
"Ukulele Lady" is a popular standard, an old evergreen song by Gus Kahn and Richard A. Whiting. Published in 1925, the song was first made famous by Vaughn De Leath. [1]It has been recorded by the Paul Whiteman Orchestra with vocals by the Southern Fall Colored Quartet on June 3, 1925 (catalog No. 19690B); Frank Crumit recorded June 10, 1925 for Victor Records (catalog No. 19701); Lee Morse in ...
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
Image credits: agentp2319 Bored Panda was interested to find out why some people are suspicious of free things compared to paid options. Marketing psychology expert Johnson shed some light on this ...
1) Touch your taint. If you haven’t already been introduced, meet your taint—or your perineum, if we’re getting technical.It’s the strip of skin between your balls and your butt, and it ...
Acute stress can also affect a person's neural correlates which interfere with the memory formation. During a stressful time, a person's attention and emotional state may be affected, which could hinder the ability to focus while processing an image. Stress can also enhance the neural state of memory formation. [clarification needed] [29]
The people we sit near at work can brighten our mood or drive us crazy -- and they can actually change how well we do our own jobs. Sitting near a high-performer can make you better at your job ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.