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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
The first chapter describes the rules for rupakam, they key elements of Drama (Vastu-the plot, Netaa(the protagonist), and Rasa (the emotive aspect)). Then discusses the types and characteristics of the Plot The second chapter explains the characteristics that the Netaa (protagonist) heroes and heroines must possess. (neta) The third chapter ...
In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs. [3] In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies ...
Drama encompasses different media and languages, ranging from Greek tragedy and musical drama to action movies and video games: despite their huge differences, these examples share traits of the cultural construct that we recognise as drama. drama can be considered as a form of intangible cultural heritage, since it is characterised by an evolving nature, with form and function that change in ...
In Poetics, Aristotle discusses many key concepts of Greek drama, including the moment of tragic recognition (anagnorisis) and the purgation of audience feelings of pity and fear . Perhaps the most significant successor to Aristotelian dramaturgy is the Epic theatre developed by the twentieth century German playwright Bertolt Brecht .
Melodrama is "an exaggerated version of drama". [1] Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental , rather than on action. Characters are often flat and written to fulfill established character archetypes .
Indian classical drama is regarded as the highest achievement of Sanskrit literature. [ 3 ] The Buddhist playwright, poet and philosopher Asvaghosa , who composed the Buddhacarita , is considered to have been one of the first Sanskrit dramatists along with Bhāsa , who likely lived in the 2nd century BCE, and is famous for writing two of the ...
The use of drama as a metaphor in order to understand human behavior and motivation forms the basis for this theory. According to West, [11] there are three basic reasons that drama is a useful metaphor to the idea of Dramatism. Drama indicates a wide range of human experience.