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AP Art History is designed to allow students to examine major forms of artistic expression relevant to a variety of cultures evident in a wide variety of periods from the present to the past. Students acquire an ability to examine works of art critically, with intelligence and sensitivity, and to articulate their thoughts and experiences.
In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel. Support is technically distinct from the overlaying ground , [ 1 ] but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco .
Technical art history was slow to penetrate art history departments at universities, as it had to compete with the emerging ‘new’ art histories in the 1970s and 1980s. [7] Nowadays, several universities around the world offer training and research programmes based on technical art history. [4] New York University; Stockholm University
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. [1] [2] It is funded by the National Endowment for the Humanities. [3]
Tier I (or Level 1, abbreviated as T1 or L1) is the first technical support level. The first job of a Tier I specialist is to gather the customer's information and to determine the customer's issue by analyzing the symptoms and figuring out the underlying problem. [6]
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AP 3-D Art and Design is a three-dimensional (3-D) art course that holds many similarities to the 2-D course. The course deals with 3-D artistic applications such as metalworking, sculpture, computer models, and ceramics. Like AP Studio Art 2D, the focus is on the design of the artwork itself as opposed to its composition.
When writing technical (scientific, medical, legal, etc.) articles, it is usually the case that a number of technical terms or terms of art and jargon specific to the subject matter will be presented. These should be defined or at least alternative language provided, so that a non-technical reader can both learn the terms and understand how ...