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This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
In the long and complex process of the Sundering of the Elves, Tolkien consistently shows that the highest Elves are those who deviated least from their initial uncorrupted state: they complied with the will of the Valar, travelled to the blessed realm of Valinor where they saw the light of the Two Trees, and continued to speak the highest ...
The Old Straight Road allows the Elves to sail from Middle-earth to Valinor.. The Old Straight Road, the Straight Road, the Lost Road, or the Lost Straight Road, is J. R. R. Tolkien's conception, in his fantasy world of Arda, that his Elves are able to sail to the earthly paradise of Valinor, realm of the godlike Valar.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
The Lhammas and related writings like "The Etymologies" illustrate Tolkien's conception of the languages of Middle-earth as a language family analogous to Indo-European, with diverging branches and sub-branches — though for the immortal Elves the proto-language is remembered rather than reconstructed.
[b] [1] Fourthly, the family trees helped to guide him while writing to avoid mistakes in describing relationships. [1] Fifthly, the Hobbit-style genealogies imitate the hobbitic fascination with family history; Tolkien maintained the framing fiction that The Lord of the Rings was, in fact, the Red Book of Westmarch written entirely by Hobbits.
The svartálfar are almost only attested in the Prose Edda (the word does appear in Ektors saga ok kappa hans, but is presumably borrowed from the Prose Edda). [4] The svartálfar mentioned in Skáldskaparmál 35 are the Sons of Ivaldi, whom Loki engages to craft replacement hair for Sif, wife of the god Thor, after Loki mischievously sheared off her golden tresses. [5]