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Athena Scorning the Advances of Hephaestus, Paris Bordone, between c. 1555~1560. According to the Bibliotheca, Athena visited the smith-god Hephaestus to request some weapons, but Hephaestus was so overcome by desire that he tried to seduce her in his workshop. Determined to maintain her virginity, Athena fled, pursued by Hephaestus.
Athena Scorning the Advances of Hephaestus by Paris Bordone (between c. 1555 and c. 1560) Hephaestus is to the male gods as Athena is to the female, for he gives skill to mortal artists and was believed to have taught men the arts alongside Athena. [43] At Athens, they had temples and festivals in common.
Temple of Hephaestus Festival in Athens in front of the Temple of Hephaestus, 1805, painted by Edward Dodwell The Entry of King Otto of Greece into Athens by Peter von Hess. Around CE 700, the temple was turned into a Christian church, dedicated to Saint George. Exactly when the temple was converted to a Christian church remains unknown.
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Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
The earth-born son was sired by Hephaestus, whose semen Athena wiped from her thigh with a fillet of wool cast to earth, by which Gaia was made pregnant. In the contest for patronage of Athens between Poseidon and Athena, the salt spring on the Acropolis where Poseidon's trident struck was known as the sea of Erechtheus .
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
By the Classical period, the races were run by ephebes also in honour of Hephaestus and Athena. [51] Prometheus' association with fire is the key to his religious significance [45] and to the alignment with Athena and Hephaestus that was specific to Athens and its "unique degree of cultic emphasis" on honouring technology. [52]