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Chinese pottery horse, detail. In the study of historical Chinese culture, many of the stories that have been told regarding characters and events which have been written or told of the distant past have a double tradition: one tradition in which presents a more historicized version and one which presents a more mythological version (Yang 2005:12-13).
' thousand-li horse ') is a mythical horse that originates from the Chinese classics and is commonly portrayed in East Asian mythology. The winged horse is said to be too swift and elegant to be mounted by any mortal man and is named after its ability to travel one thousand li in a single day.
The horse emerged as a distinct artistic subject early in Chinese history. [17] A distinctive characteristic of Chinese art is the frequent depiction of horses in a natural state, reflecting a profound admiration for the horse as an entity in itself.
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Uchchaihshravas, Indra's horse in Hindu mythology; Keshi, a horse demon slain by Krishna in the Bhagavata Purana; Tikbalang, the demon horse in Philippine folklore; Tulpar, the winged or swift horse in Turkic mythology; Shabdiz horse of khosrow parvi, shah of Iran; Rakhsh, horse of Rostam, the great Iranian champion; Qianlima, winged horse in ...
Yaoguai (Chinese: 妖怪; pinyin: yāoguài) represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers [1] [2] and by having attributes that partake of the quality of the weird, the strange or the unnatural.
Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).