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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
By 1989, the Brass Rail was rebuilt with etched-glass doors, red velvet banquettes and painted cherubs along the ceiling. [8] The first floor holds the pub, [8] while formal dining in a French salon style is on the second floor. [3] Hanging on one of the walls of the Brass Rail is a large oil mural depicting the history of Hoboken. [4]
A central hallway, with large rooms opening off it, extends the length of the main body of the building. To the left of this hallway there are two rooms which are divided by a large cedar arch. To the right, all the rooms open onto the verandah through french doors which have fanlights decorated with etched glass and fretwork. The verandah ...
The National Glass Company controlled 19 glass companies, which meant it controlled about 75 percent of the glass tableware market in the United States. [106] The American Window Glass Company trust was created in 1898, and it had over half of the nation's window glassmaking capacity in part because it consisted of many of the large works that ...
The entry doors are surrounded with a transom and sidelights, showcasing original hand-painted stained glass, etched and patterned after the French cross to allegedly ward off evil. The main feature of the Myrtles is the 125-foot-long veranda that extends the entire length of the façade, and wraps around the southern end of the house.
The parlor doors in the house featured American-made etched glass panels. [ 5 ] The main house at the homestead was deeded to the San Antonio Conservation Society (SACS) in 1952 by the granddaughter of Edward Steves, Edna Steves Vaughan, and her husband Curtis Vaughan.
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