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Condenser microphones are also available with two diaphragms that can be electrically connected to provide a range of polar patterns, such as cardioid, omnidirectional, and figure-eight. It is also possible to vary the pattern continuously with some microphones, for example, the Røde NT2000 or CAD M179.
Well, we used to have a thing called a Decca Tree which was an arrangement where [at] the front edge of an orchestra about 3.2 metres up in the sky you would have a centre microphone roughly in line with the edge of the orchestra, and then maybe 2.5 feet back and 5 feet apart you would have 2 more forming a triangle, omnidirectional microphones.
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
It is known for its almost linear frequency response in the bass range up to 1,000 Hz. Above that, the microphone exhibits a smooth increase in upper mid-range frequencies important for intelligibility. In 1966, Udo Jürgens won the Eurovision Song Contest, singing the song "Merci, Chérie" into an MD 421. By 1971, the contest was almost ...
Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]
The American D-22 and American D-33 microphones are dual-impedance, omnidirectional, dynamic microphones made by the American Microphone Company. They were used extensively in the broadcast industry in the 1950s because of their modern sleek looks and tapered waist design.
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