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"Baby Mama" is a song recorded by American singer Brandy, featuring rapper Chance the Rapper. It was written by Norwood, Chance, Akil King, and Kimberly "Kaydence" Krysiuk for her seventh studio album B7 (2020), while production was helmed by Hit Boy and Norwood along with LaShawn Daniels .
"Baby Mama" is a song recorded by American singer Fantasia for her debut studio album Free Yourself (2004). It was written and produced by Vito Colapietro, Neely Dinkins, and Harold Lilly . The song samples from "There Will Never Be Any Peace (Until God Is Seated at the Conference Table)" by American group The Chi-Lites ; thus, Eugene Record ...
One of his songs was titled "I Hate My Baby Mama." [4] The Outkast song "Ms. Jackson", released in 2000, was dedicated to "all the baby mamas' mamas". American Idol winner Fantasia Barrino released a song entitled "Baby Mama" in 2004. In this song she is writing an ode to single mothers and how to be a baby mama should be a "badge of honor".
The songs on this list will make you relive your own sweet memories. Just like your favorite country songs about mom and country songs about dad , this list of sweet country songs about sons will ...
"Take Your Mama" is a song by American band Scissor Sisters, included as the second track on their self-titled debut album (2004). The song, written by Babydaddy and Jake Shears at Shears' parents' horse farm in West Virginia , was inspired by Shears' coming out to his mother, with whom he was close. [ 1 ]
It feels like a more realized Momma. It’s a little more simplified, I think. If one song is the same chords all the way throughout, it’s still okay, as long as it sounds good and it’s catchy.”
The song is commonly thought to be of African-American origin. [1] An early published version is in "A White Dove", [2] a 1903 story for kindergarteners by Maud McKnight Lindsay (1874–1941), a teacher from Alabama and daughter of Robert B. Lindsay. [3] In the story, "a little girl" sings to "her baby brother" what is footnoted as "an old ...
Tell Me, Momma is a song written by Bob Dylan and performed exclusively during his 1966 World Tour with the Band (then known as the Hawks). It was used to introduce the second half of a concert, when Dylan switched from an acoustic solo performance to an electric performance backed by a band.