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Miguel Orlando Collins (born 17 April 1976), known by his stage name Sizzla Kalonji or Sizzla, is a Jamaican reggae musician. He is one of the most commercially and critically successful contemporary reggae artists and is noted for his high number of releases. [1] As of 2018 he has released 56 solo albums.
Reggae Max: Sizzla: 2000 Jetstar Reggae Chartbusters, Vol. 2: 2000 Best of Sizzla: The Story Unfolds: 2002 VP Records Judgement Yard: 14 April 2004 Reggae Max: Sizzla Part II: 7 February 2006 Jetstar The Journey: The Very Best of Sizzla: 24 June 2008 Greensleeves Yaniko Roots Riddim: 2008 Jah Youth Elevation Riddim: 2008 Sizzla – Ghetto Youth ...
Freedom Cry is reggae artist Sizzla's fourth studio album, released November 11, 1998 on VP Records as Freedom Cry in the United States and as Kalonji in Europe. It features mainly conscious reggae songs, all written by Sizzla himself.
Bobo Ashanti is the tenth studio album by the Jamaican reggae singer Sizzla, released by Greensleeves Records on August 31, 2000. The album, written by Sizzla and produced by Philip "Fatis" Burrell, peaked at #6 on the Billboard top reggae album charts and addresses themes of the Bobo Ashanti branch of the Rastafari movement.
Praise Ye Jah is Jamaican reggae singer Sizzla's third studio album. It was released on Xterminator on October 21, 1997. The songs were written by Sizzla and produced by Philip "Fatis" Burrell .
Black Woman & Child is the second studio album by Jamaican reggae artist Sizzla. It was released on September 16, 1997 on VP Records and produced by Robert "Bobby Digital" Dixon . The album was listed in the 1999 book The Rough Guide: Reggae: 100 Essential CDs .
Niyabinghi chanting [1] typically includes recitation of the Psalms, but may also include variations of well-known Christian hymns and adopted by Rastafarians.The rhythms of these chants were eventually an influence of popular ska, rocksteady and reggae music.
Taking Over is Jamaican reggae artist Sizzla's 11th studio album, released on June 19, 2001 on VP Records. It peaked at #7 on the Billboard reggae album charts. [2]