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4′33″. 4′33″[a] is a modernist composition [b] by American experimental composer John Cage. It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements. It is divided into three movements, [c] lasting 30 seconds, two minutes and 23 ...
The reaction to 4′33″ was just a part of the larger picture: on the whole, it was the adoption of chance procedures that had disastrous consequences for Cage's reputation. The press, which used to react favorably to earlier percussion and prepared piano music, ignored his new works, and many valuable friendships and connections were lost.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
It consisted of eight seconds of white noise and topped the iTunes chart in Canada. "Tunnel of Goats XVII" by Coil. "You Can Make Your Own Music" by Covenant (a 4-minute and 33 second silent track, in reference to John Cage's composition 4′33") "Leave On" by Blackmail. "Minut ćutanja" (Moment of silence) by Marčelo.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional ... 4'33 which is a performance of complete silence for four minutes and ...
Music of Changes is a piece for solo piano by John Cage. Composed in 1951 for pianist and friend David Tudor, it is a ground-breaking piece of indeterminate music. The process of composition involved applying decisions made using the I Ching, a Chinese classic text that is commonly used as a divination system.
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Water Music for pianist using various objects (Spring 1952) For M.C. and D.T., for piano (1952, before August) Music for Carillon No. 1, for carillon (July 10, 1952; 2- and 3-octave transcriptions made in 1958 and 1961, respectively) 4′33″ for any instrument or combination of instruments (August 1952, second version 1962)