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This interpretational switch has been exploited, for example, by Leonard Bernstein, in the song "America": "I like to be in A-mer-i-ca" from West Side Story. Compound metre divided into three parts could theoretically be transcribed into musically equivalent simple metre using triplets. Likewise, simple metre can be shown in compound through ...
Sondheim wrote the song specifically for Glynis Johns, who originated the role of Desirée on Broadway. The song is structured with four verses and a bridge, and uses a complex compound meter. It became Sondheim's most popular song after Frank Sinatra recorded it in 1973 and Judy Collins's version charted in 1975 and
Simple meters are those whose upper number is 2, 3, or 4, sometimes described as duple meter, triple meter, and quadruple meter respectively. In compound meter , the note values specified by the bottom number are grouped into threes, and the upper number is a multiple of 3, such as 6, 9, or 12.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
218 as 74 with 3 subdivisions. Septuple meter (British: metre) or (chiefly British) septuple time is a meter with each bar (American: measure) divided into 7 notes of equal duration, usually 74 or 78 (or in compound meter, 218 time). The stress pattern can be 2+2+3, 3+2+2, or occasionally 2+3+2, although a survey of certain forms of mostly ...
Jig. Dancing the Haymakers' Jig at an Irish ceilidh. The jig (Irish: port, Scottish Gaelic: port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It first gained popularity in 16th-century England, Ireland, Scotland, and other parts of the British Isles, [1][2] and was adopted on mainland Europe ...
The song has a running time of four minutes and twenty-one seconds. It is in the key of E, modulating from minor key in the verses to a major key in the chorus with a vocal range spanning from G# 3 to C# 5. It has a tempo of 60 beats per minute. The song is in a compound meter that changes between 6 8 and 9
Footprints (composition) " Footprints " is a jazz standard composed by saxophonist Wayne Shorter and first recorded for his album Adam's Apple in 1966. [1] The first commercial release of the song was a different recording on the Miles Davis album Miles Smiles recorded later in 1966, but released earlier. [2]