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Enjambment has a long history in poetry. Homer used the technique, and it is the norm for alliterative verse where rhyme is unknown. [9] In the 32nd Psalm of the Hebrew Bible enjambment is unusually conspicuous. [10] It was used extensively in England by Elizabethan poets for dramatic and narrative verses, before giving way to closed couplets.
Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation. Epigraph: a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem. Hemistich: a half of a line of verse.
Enjambment occurs when the sense of the line overflows the meter and line break. [3] entr'acte envoi epanalepsis epic poetry A long poem that narrates the victories and adventures of a hero. Such a poem is often identifiable by its lofty or elegant diction. [11] epic simile epic theater epigraph 1. An inscription on a statue, stone, or building. 2.
Line breaks, indentations, and the lengths of individual words determine the visual shape of the poetry on the page, which is a common aspect of poetry but never the sole purpose of a line break. A dropped line is a line broken into two parts, in which the second part is indented to remain visually sequential through spacing.
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
An end-stopped line is a feature in poetry in which the syntactic unit (phrase, clause, or sentence) corresponds in length to the line.Its opposite is enjambment, where the sentence runs on into the next line.
His employment of the form outside drama, his frequent enjambment, and the relative looseness of his metre were very influential, and he became known for the style. The poet Robert Bridges analyzed Milton's versification in the monograph Milton's Prosody .
However, the references to light and darkness in the poem make it virtually certain that Milton's blindness was at least a secondary theme. The sonnet is in the Petrarchan form, with the rhyme scheme a b b a a b b a c d e c d e but adheres to the Miltonic conception of the form, with a greater usage of enjambment.