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The guitar is made with an ebony fingerboard and mother-of-pearl block inlays. Other high end appointments included a lyre vibrola (beginning circa 1963), gold hardware, triple binding on headstock and top, with single binding on back and neck. . [3] Many of the early versions of the guitar came with a Bigsby vibrato tailpiece. In 1960 Gibson ...
The guitar is associated by many players with the jangle-rock sounds of bands from the 1960s and 1980s. The instrument incorporates many features standard on Rickenbacker guitars, including a three-ply maple/walnut neck, a shallow headstock angle, and a thick rosewood fretboard finished with clear conversion varnish. The 330 also features a ...
The Rickenbacker 360 is an electric, semi-acoustic guitar made by Rickenbacker, and part of the Rickenbacker 300 Series.The instrument incorporates many features standard on Rickenbacker guitars, including a three-ply maple/walnut neck, shallow headstock angle, a thick rosewood fretboard finished with clear conversion varnish, and double truss rods.
The headstock routs on 360/12s made after 2005 extend through the headstock, though vintage reissue guitars such as the 360/12C63 remain as before. [citation needed] Three more tuners are attached to each side of the headstock. The knobs of the tuners project towards the rear of the headstock, and the posts transect the slots in the headstock.
The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers. Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body. The body is unbound, semi-hollow, with an angled sound hole, and boasts "crescent moon"-style cutaways.
The Martin D-45 is a steel-string acoustic guitar model made by C. F. Martin & Company.The model was manufactured from 1933 to 1942, and in a second production series since 1968.
Like the L-5, it featured multiple binding on the single-cutaway 3-ply solid maple body, 5-piece maple neck, and headstock, and also featured an ebony fingerboard with block inlays. The headstock featured a flower-pot inlay similar to the L-5 archtop and most L5S models featured the L-5 trapeze tailpiece (though some had stop-bar or TP-6 fine ...
The Gibson Futura was an electric guitar that was the precursor of the model introduced as the Explorer.These prototypes, christened "Futura" many years later, resembled the eventual Explorer design, but had a differently-proportioned body, as well as a 'split' or 'forked' headstock that survived into the first few production Explorers but was quickly replaced.