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E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
The A section starts with the right hand playing a soothing melody, and the left hand accompanying it with broken chords. The B section, which starts with the key of E-flat minor, plays a simple melody, then modulates to the original key with the B-flat major scale and then the E-flat major scale, then back to the A section.
The Piano Trio, WoO 38, in E-flat major is a composition for piano trio by Ludwig van Beethoven, that was discovered amongst Beethoven's papers following his death. [1] It is believed to have been composed in either 1790 or 1791. [ 2 ]
Arpeggios may include all notes of a scale or a partial set of notes from a scale, but must contain notes of at least three pitches (two-pitch sequences are known as trills). Arpeggios may sound notes within a single octave or span multiple octaves, and the notes may be sustained and overlap or be heard separately.
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