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This chart is a general guide, but by no means a definitive or complete fingering chart for the recorder, an impossible task. Rather, it is the basis for a much more complex fingering system, which is still being added to today. Some fonts show miniature glyphs of complete recorder fingering charts in TrueType format. [51]
The soprano recorder is an octave above the level of the human soprano voice. Its lowest note is C 5, and the normal range is C 5 –D 7, but expert players achieve notes up to G 7. Compositions for soprano recorder are usually notated an octave lower than they sound.
The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other ...
The sopranino recorder is the second smallest recorder of the modern recorder family, and was the smallest before the 17th century. This modern instrument has F 5 as its lowest note, and its length is 20 cm. It is almost always made from soft European or tropical hardwoods, though sometimes it is also made of plastic. A Baroque style sopranino ...
Recorder, tenor (AM 1998.60.41-1) The tenor recorder is a member of the recorder family. It has the same form as a soprano (or descant) recorder and an alto (or treble) recorder, but it produces a lower sound than either; a still lower sound is produced by the bass recorder and great bass recorder.
The garklein recorder in C, also known as the sopranissimo recorder or piccolo recorder, is the smallest size of the recorder family. Its range is C 6 –A 7 (C 8). [citation needed] The name garklein is German for "quite small", and is also sometimes used to describe the sopranino in G. [1] Although some modern German makers use the single-word form Garkleinflötlein, this is without ...
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The great bass recorder is a member of the recorder family. With the revival of the recorder by Arnold Dolmetsch , who chose Baroque music and the corresponding recorder types as a fixed point, consideration was given to the design of recorder types larger than the bass recorder.