Search results
Results from the WOW.Com Content Network
In Irish usage, the presence or absence of the acute accent does not signify the type of establishment (coffeehouse versus diner), and is purely a decision by the owner: for instance, the two largest diner-style café chains in Ireland in the 1990s were named "Kylemore Cafe" and "Bewley's Café" – i.e., one written without, and one with, the ...
Classic Googie sign at Warren, Ohio drive-in. Googie's beginnings are with the Streamline Moderne architecture of the 1930s. [16] Alan Hess, one of the most knowledgeable writers on the subject, writes in Googie: Ultra Modern Road Side Architecture that mobility in Los Angeles during the 1930s was characterized by the initial influx of the automobile and the service industry that evolved to ...
Industrial style or industrial chic refers to an aesthetic trend in interior design that takes cues from old factories and industrial spaces that in recent years have been converted to lofts and other living spaces. [1] Components of industrial style include weathered wood, building systems, exposed brick, industrial lighting fixtures and ...
The goal of such redesigns is to employ appropriate materials (such as polished brass, iron, wood, and leather) with design elements and craftsmanship consistent with the Victorian era, [21] [48] rejecting the aesthetic of industrial design. [44] Paris metro station "Arts et Métiers", designed in 1994 to honor the works of Jules Verne
[8] [14] The interplay of light and shadow across individual cells in a vast, geometric arrangement is what gives muqarnas its aesthetic visual effect. [1] Western writers have often compared the resulting compositions to "stalactites" or "honeycombs" and these terms are often used in European languages to describe the technique. [1] [13]
Edwardian houses in Sutton, Greater London, England Catts Farm, Kingsclere, Newbury, design by H. Launcelot Fedden (1869–1910), as seen in The Building News, July 31, 1908. Other characteristics include:
Nature is purposely left far behind, as far behind as in Cubist pictures, and for very much the same reasons. Of all the sculpture in the International Exhibition Armory Show the two pieces that excited the most ridicule were Brâncuși's egg-shaped Portrait of Mlle. Pogany and Family Life by Archipenko.
Brown's competition design envisioned a restaurant in the tower, which was changed to an exhibition area in the final version. The design uses three nesting concrete cylinders, the outermost a tapering fluted 180-foot (55 m) shaft that supports the viewing platform. An intermediate shaft contains a stairway, and an inner shaft houses the elevator.