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Ancient Roman decorative mosaic panels and floor mosaics were also produced during the 2nd century BC, particularly at sites such as Pompeii. Marble or limestone were cut into small cubes and arranged into representational designs and geometric patterns. Later, tesserae were made from colored glass, or clear glass backed with metal foils.
Opus regulatum is the Latin name for the normal technique of Greek and Roman mosaic, made from tesserae that are larger than about 4 mm. Tesserae are laid in a pattern like grid or graph paper. The grout lines are aligned both vertically and horizontally unlike opus tessellatum , which consists of either horizontally or vertically aligned tesserae.
Religious mosaics show similar subject matter to that found in other surviving religious Byzantine art in painted icons and manuscript miniatures. Floor mosaics often have images of geometrical patterns, often interspersed with animals. Scenes of hunting and venatio, arena displays where animals are killed, are popular.
Micromosaic brooch set in black glass, c. 1875, of the Pantheon Byzantine mosaic icon, 45 cm high, 13th century.. Micromosaics (or micro mosaics, micro-mosaics) are a special form of mosaic that uses unusually small mosaic pieces of glass, or in later Italian pieces an enamel-like material, to make small figurative images. [1]
Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics.
The monastery church had an elaborate mosaic floor decorated with images of animals including a deer and an octopus. [4] Ruins of three Byzantine churches were discovered in the village of Bayt Jibrin (ancient Eleutheropolis). One was decorated with an exquisite mosaic depicting the four seasons, but it was defaced during the 1948 Arab-Israeli ...
This mosaic is depicted in Hans Holbein's The Ambassadors. The general style of works of the Cosmati school is more closely related to Romanesque art , even though some of the buildings they worked in are Gothic , as in their main lines are their larger structures, especially in the elaborate altar-canopies, with their pierced geometrical tracery.
The license allows free use of the software, including commercial use, but it requires that every published or printed photographic mosaic, or derivative work, includes a reference to AndreaMosaic. Also the publishing or display to a large audience of a particular mosaic should be added to the public list of artworks created with AndreaMosaic.