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The first writer to mention rhythm in prose is Aristotle in his Ars Rhētorica; he says that prose should not be entirely metrical, like poetry, but also not unrhythmical either. [33] Cicero himself discusses the use of clausulae in his books on oratory, especially in dē Ōrātōre 3.173-198, and Ōrātor 204-226. [ 34 ]
In linguistics, prosody (/ ˈ p r ɒ s ə d i, ˈ p r ɒ z-/) [1] [2] is the study of elements of speech that are not individual phonetic segments (vowels and consonants) but which are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm.
Euphony and rhythm undoubtedly played a large part in Roman writers' choice of word order, especially in oratory, but also in historians such as Livy. Statements from the writers themselves make it clear that the important consideration was the clausula or rhythm of the final few syllables of each clause.
Latin readers probably gave words their natural stress, so that the quantitative metrical pattern acted as an undercurrent to the stresses of natural speech. [10] Here, for example, is a line in dactylic hexameter from Virgil's Georgics when the words are given their natural stress: quíd fáciat laétas ségetes, quó sídere térram,
The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet".
Lyric setting is the process in songwriting of placing textual content in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignment as to preserve the natural shape of the language and promote prosody.
The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres. Unconventional use of punctuation is also employed to stress the meaning of words differently, or for dramatic effect. End-stopping is when a punctuation—of any kind—at the end of a line is accompanied by a strong pause ...
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.