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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
A 1965 Billboard review of "Let Me Down Easy" complimented the song's "driving beat" and LaVette's "outstanding wailing vocal performance." [9] In 2006, music journalist Bill Friskics-Warren described it as "a gloriously anguished record aggravated by nagging syncopation, astringent strings, and a stinging blues guitar break". [10]
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
[3] [5] They include reels, gospel songs, minstrel songs, ragtime numbers, and blues. [4] Besides guitar, Thomas accompanied himself on quills, a folk instrument fabricated from cane reeds whose sound is similar to the zampona played by musicians in Peru and Bolivia. His style of playing guitar was probably derived from banjo-picking styles. [6]
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
The song was co-written by singer David Coverdale and guitarist Micky Moody, who was the only original member, besides Coverdale, left in the band.Moody was possibly the one that influenced the bluesy style of "Slow An' Easy"; most of the material on Slide It In took influence from contemporary glam metal in terms of sound, in contrast to the earlier, blues rock based albums of the band.
Musically, however, there are differences in the recorded versions. Charlie Segar's original "Key to the Highway" was performed as a mid-tempo twelve-bar blues. [3] When Jazz Gillum recorded it later that year with Broonzy on guitar, he used an eight-bar blues arrangement [1] (May 9, 1940 Bluebird B 8529).
"Gin House Blues" is the title of two different blues songs, which have become confused over the years. Both songs were first recorded by Bessie Smith . The song originally titled "Gin House Blues" was written in 1925 by Fletcher Henderson with lyrics by Henry Troy, [ 1 ] and recorded by Bessie Smith with Henderson on 18 March 1926. [ 2 ]
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