Search results
Results from the WOW.Com Content Network
The album opens with a spoken word monologue by bandleader George Clinton, which refers to "the maggots in the mind of the universe". [7] According to legend, the opening title track was recorded in one take when Clinton, under the influence of LSD, told lead guitarist Eddie Hazel to play as if he had just learned his mother was dead; Clinton instructed him "to picture that day, what he would ...
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records.While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. [10]
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic.This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter.
The lyrics refer to dancing as a way to freedom. The song opens with the lyrics "So wide, you can't get around it/ So low, you can't get under it/ So high you can't get over it." Though it is not stated where these lyrics originate, it is quite likely that they come from the traditional gospel song "So High", itself having been previously ...
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records.Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. [10]
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.
According to Funkadelic bandleader George Clinton, the guitar solo for "Get Off Your Ass and Jam" was performed by "a smack addict" guitar player who had found his way into the studio. He asked Clinton if he could play for some cash and proceeded to play "like he was possessed", soloing over the entire duration of the song.