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Foil (narrative) In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist. [2][3][4] A foil to the protagonist may also be the antagonist of the plot. [5]
The straight man is a foil, a contrasting character to the funny man. The direct contribution to the comedy a straight man provides typically comes in the form of a deadpan. The term is not related to sexuality. A straight man with no direct comedic role has historically been known as a stooge. Typically, he is expected to feed the funny man ...
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors.
A stock character, popular in 16th-century Spanish literature, who is comically and shockingly vulgar. Clarín, the clown in Pedro Calderón de la Barca 's Life is a dream, is a gracioso. Examples of similar characters in Anglophone culture include Bubbles, Wheeler Walker, Jr. and the stand-up persona of Bob Saget.
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
Villain. An example of a sinister cartoon villain. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or " bad guy "; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
First-person narration presents the narrative through the perspective of a particular character. The reader or audience sees the story through the narrator's views and knowledge only. [16] The narrator is an imperfect witness by definition, because they do not have a complete overview of events.
Characterization or characterisation is the representation of characters (persons, creatures, or other beings) in narrative and dramatic works. The term character development is sometimes used as a synonym. This representation may include direct methods like the attribution of qualities in description or commentary, and indirect (or "dramatic ...