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The Quarrymen – "That'll Be the Day"/"In Spite of All the Danger" (UK 78–rpm, acetate in plain sleeve, 1958). Only one copy made. The one existing copy is currently owned by Paul McCartney. Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch ...
Over his lifetime, Bussard amassed a collection of between 15,000 and 25,000 records, primarily of American folk, gospel, jazz, and blues from the 1920s and 1930s. [1] From 1956 until 1970, Bussard ran the last 78 rpm record label, Fonotone, which was dedicated to the release of new recordings of old-time music.
272. ISBN. 978-1-4516-6705-9. Website. Do Not Sell At Any Price. Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records is a 2014 book by American music journalist Amanda Petrusich.
Because it ran 7m 57s, longer than both sides of a standard 78 rpm 10-inch record, it was released on Columbia's Masterwork label (the classical division) as two sides of a 12-inch record. [ 47 ] In the 78 era, classical-music and spoken-word items generally were released on the longer 12-inch 78s, about 4–5 minutes per side.
Carlos Martín Ballester (born 1974): 75,000 78 rpm records (carlosmb archive) plus 5,000 78 rpms records and 200 cylinders (private collection). [27] It is the largest collection of 78 rpm records pressed in Spain. Part of the archive is on sale and new items are added regularly. [28] Elton John (born 1947): 70,000 items. [29]
“Records don’t compare to coins and stamps and books,” Allen said. “There’s not really anything that’s worth $100,000 or more.” On the other hand, records that only sold 20,000 ...
The Great 78 Project. The Great 78 Project is an initiative developed by the Internet Archive which aims to digitize 250,000 78 rpm singles (500,000 songs) from the period between 1880 and 1960, donated by various collectors and institutions. The project has been developed in collaboration with the ARChive of Contemporary Music and George Blood ...
The most common diameter sizes for gramophone records are 12-inch, 10-inch, and 7-inch (300 mm, 250 mm, and 180 mm). [1] Early American shellac records were all 7-inch until 1901, when 10-inch records were introduced. 12-inch records joined them in 1903. [2] By 1910, other sizes were retired and nearly all discs were either 10-inch or 12-inch ...
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