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Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
The Assyrian Church of the East, the Ancient Church of the East, the Chaldean Catholic Church and the Syro Malabar Catholic Church use the East Syriac Rite, which like the West Syriac Rite lacks a system of musical notation and is instead passed down through oral tradition; it makes use of the following hymnals: the "Turgama" (Interpretation ...
Mary Jane Oliver (September 10, 1935 – January 17, 2019) was an American poet who won the National Book Award and the Pulitzer Prize. She found inspiration for her work in nature and had a lifelong habit of solitary walks in the wild.
The Mass was well received by many US Catholic cleric and is said to have furthered their acceptance of Sacrosanctum Concilium. [4] Mary Lou Williams, a Black Catholic composer, had completed her own Mass, Black Christ of the Andes (also known as Mary Lou's Mass) in 1962 and performed it that November at St. Francis Xavier Church in Manhattan.
In a style reminiscent of Old Testament poetry and song, Mary praises the Lord in alignment with this structure: Mary rejoices that she has the privilege of giving birth to the promised Messiah (Luke 1:46–48). She glorifies God for His power, holiness, and mercy (Luke 1:49–50). Mary looks forward to God transforming the world through the ...
The "Salve Regina" (/ ˌ s æ l v eɪ r ə ˈ dʒ iː n ə / SAL-vay rə-JEE-nə, Ecclesiastical Latin: [ˈsalve reˈdʒina]; meaning "Hail Queen"), also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church.