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Although musical set theory is often thought to involve the application of mathematical set theory to music, there are numerous differences between the methods and terminology of the two. For example, musicians use the terms transposition and inversion where mathematicians would use translation and reflection .
Furthermore, one sometimes considers set theories in which there are no infinite sets, and then the axiom of empty set may still be required. However, any axiom of set theory or logic that implies the existence of any set will imply the existence of the empty set, if one has the axiom schema of separation. This is true, since the empty set is a ...
In any topological space X, the empty set is open by definition, as is X. Since the complement of an open set is closed and the empty set and X are complements of each other, the empty set is also closed, making it a clopen set. Moreover, the empty set is compact by the fact that every finite set is compact. The closure of the empty set is empty.
The simplest pitch space model is the real line. A fundamental frequency f is mapped to a real number p according to the equation = + (/) This creates a linear space in which octaves have size 12, semitones (the distance between adjacent keys on the piano keyboard) have size 1, and middle C is assigned the number 60, as it is in MIDI. 440 Hz is the standard frequency of 'concert A', which ...
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In the formal language of the Zermelo–Fraenkel axioms, the axiom is expressed as follows: [2] ( ( ()) ( ( (( =))))). In technical language, this formal expression is interpreted as "there exists a set 𝐼 (the set that is postulated to be infinite) such that the empty set is an element of it and, for every element of 𝐼, there exists an element of 𝐼 consisting of just the elements of ...
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Diatonic set theory is a subdivision or application of musical set theory which applies the techniques and analysis of discrete mathematics to properties of the diatonic collection such as maximal evenness, Myhill's property, well formedness, the deep scale property, cardinality equals variety, and structure implies multiplicity.