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Andhra Mahabharatham ఆంధ్ర మహాభారతం is the Telugu version of Mahabharatha written by the Kavitrayam (Trinity of poets), consisting of Nannayya, Thikkana and Yerrapragada (also known as Errana).The three poets translated the Mahabharata from Sanskrit into Telugu over the period of the 11–14th centuries CE, and became the idols for all the following poets. [1]
Vyasa narrating the Mahabharata to Ganesha, his scribe, Angkor Wat Painting depicting Vyasa and the king Janamejaya. Vyāsa is traditionally regarded as the chronicler of this epic and also features as an important character in Mahābhārata.
The Mahabharata Tatparya Nirnaya has 32 chapters. [3] In Mahabharata Tatparya Nirnaya instead of viewing Mahabharata as a story work, Madhvacharya clearly gives it the status of Nirnayaka grantha. Sri Madhva also includes Ramayana in this work to show that Mahabharata is a complete work by the divine Sri Veda Vyasa.
Vyasa is regarded to have taught the Mahabharata of 100,000 verses to Vaishampayana. He is regarded to have recited the epic to King Janamejaya at his sarpa satra (snake sacrifice). [4] The Harivamsha Purana is also recited by him, where he narrates the legend of Prithu's emergence from Vena. [5] [6]
Nannaya Bhattaraka, also known as the First Poet "Aadi Kavi", the first poet of the Kavi Trayam, or "Trinity of Poets", that translated Mahabharatamu into Telugu over the course of a few centuries; Tikkana also called "Tikkana Somayaji" (1205–1288), poet and member of Kavi Trayam; Errana also known as "Yellapregada" or "Errapregada" (fl. 14th ...
It is a Kannada version of the great epic, the Mahabharata of Vyasa. Pampa chose Arjuna, the central figure of the Pandava Clan, as the protagonist of his epic. This work differs from Mahabharata in several aspects, one of them being Arjuna crowned as king and Subhadra as queen after the Kurukshetra war, instead of Yudhishthira and Draupadi ...
Kumara Vyasa's most famous work, the Karnata Bharata Kathamanjari (the Mahabharata of Karnataka) is popularly known as Gadugina Bharata and Kumaravyasa Bharata. It is an adaptation of the first ten parvas (chapters) of the Mahabharata. A devotee of Krishna, Kumara Vyasa ends his epic with the coronation of Yudhishthira, the eldest of the ...
The attempts by Narsimhan, R.K. Narayan and others deprive the reader of the thematic richness and the brilliance of Vyasa’s narrative art. But the felicity with which Smith negotiates Vyasa’s labyrinthine forest is astonishing: pruning outgrowths, mowing down undergrowths, skirting deceptive byways!