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The Mañjuśrī-Nāma-Saṃgīti (Tibetan: འཇམ་དཔལ་མཚན་བརྗོད, Wylie: 'jam dpal mtshan brjod) (hereafter, Nama-samgiti) is considered amongst the most advanced teachings given by the Shakyamuni Buddha.
In Japanese the symbol is called "卍 " (Hepburn: manji) or "卍字 " (manji). The swastika is included in the Unicode character sets of two languages. In the Chinese block it is U+534D 卍 (left-facing) and U+5350 for the swastika 卐 (right-facing); [ 54 ] The latter has a mapping in the original Big5 character set, [ 55 ] but the former does ...
Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
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Quicksand, originally published in Japan as Manji (Japanese: 卍), is a novel by the Japanese author Jun'ichirō Tanizaki. It was written in serial format between 1928 and 1930 for the magazine Kaizō. The last of Tanizaki's major novels translated into English, it concerns a four-way bisexual love affair between upper-crust denizens of Osaka.