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This page was last edited on 21 January 2025, at 00:02 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
John James MacDonald (May 19, 1906 – February 1, 1991) was an American foley artist and voice actor. He was the original head of the Disney sound effects department, and was also the 2nd official voice of Mickey Mouse from 1947 to 1976 after Walt Disney stopped playing the character and before Wayne Allwine became the third voice of Mickey in 1977.
The ghost crabs use their gastric mill, which is composed of lateral and medial teeth, to imitate the sound of growling. The growling is used while the ghost crab takes an aggressive stance, which is followed by lunging, they also use their claws to produce a similar sound that is instead used in courtship. [13] Cat growling and hissing.
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
In addition, it's confusing as to when the "verbs" end and the onomatopoeia begins. If we think we want verbs and nouns then I propose we convert this to a table format with three columns: animal name, sounds (nouns, onomatopoeia), and sound-making (verbs when they are different from the nouns).
Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sounds on a recorder to an effect similar to the growls used by jazz musicians.
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The Allmusic review states "The opening "Theme from Enter the Dragon" is unquestionably a product of its time. While the tune is occasionally infused with Eastern-sounding chords and instrumental voicings, the adrenaline-pumping proto-funk backbeat is drenched in wah-wah guitar, dramatic brass interjections and (presumably) Lee's intimidating Kiai (battle cry) vocalizations.