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The original black and white photo. Later versions may have color or a second light source added. Grace is a photograph by Eric Enstrom.It depicts an elderly man (named Charles Wilden) with hands folded, saying a prayer over a table with a simple meal.
The French aristocracy employed artists to execute paintings of bounteous and extravagant still-life subjects that graced their dining table, also without the moralistic vanitas message of their Dutch predecessors. The Rococo love of artifice led to a rise in appreciation in France for trompe-l'œil (French: "trick the eye") painting.
The Thankful Poor is an 1894 genre painting by the African-American painter Henry Ossawa Tanner.It depicts two African Americans praying at a table, and shares common themes with Tanner's other paintings from the 1890s including The Banjo Lesson (1893) and The Young Sabot Maker (1895).
The Breakfast Table is a 1958 still life painting by Australian artist John Brack. The painting depicts a table after breakfast but before the plates, cups and cutlery have been cleared. Breakfast has finished and the participants have gone, although the detective-like artist has set out visual clues that tell us about the people who were here.
The painting is unusual for the way it explores the relationship between flatness and deep space. The red of the tablecloth and walls are the same color, making the surface appear unified, but surrounding objects convey a sense of depth. For instance, the chair appearing behind the table gives context to the presence of a table.
Le Bénédicité shows a modest, middle-class interior scene, where a mother is laying the table for a meal. She instructs her children to say their grace before eating. The younger of the children can easily appear a girl to the modern eye, if the drum hanging on the child-sized ladderback chair is overlooked, [ 7 ] and is indeed identified as ...
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The current painting, created in 1913, depicts the dining room of his country house. On the canvas he presents cats sitting on chairs, and Martha, his wife, leaning on a windowsill. A large table, with a white towel, appears in the foreground, while a arms chair appears to the right, and another one is partially seen at the left.
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