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The Transfiguration of Jesus is an event described in the New Testament where Jesus is transfigured and becomes radiant in glory upon a mountain. [1] [2] The Synoptic Gospels (Matthew 17:1–8, Mark 9:2–13, Luke 9:28–36) recount the occasion, and the Second Epistle of Peter also refers to it.
Matthew 17 is the seventeenth chapter in the Gospel of Matthew in the New Testament section of the Christian Bible. Jesus continues his final journey to Jerusalem ministering through Galilee. William Robertson Nicoll identifies "three impressive tableaux" in this chapter: the transfiguration, the epileptic boy and the temple tribute. [1]
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
For Tuckett, the disciples' discussion "seems to imply that they do not understand what resurrection in general means. This seems incredible in historical terms: resurrection was a well-known idea in [the] Judaism of the period". He suggests that verse 10 may be either "a highly artificial note by Mark to bolster his motif of the disciples ...
For example, in the works of Franz Kafka, particularly The Metamorphosis, the protagonist undergoes a physical transfiguration, turning into a giant insect. This transformation, while fantastical, is symbolic of his alienation and internal struggle, reflecting the way people can experience deep existential crises and personal transformations.
The Transfiguration of Jesus, depicted by Carl Bloch, 19th century. The Transfiguration of Jesus is an episode in the New Testament narrative in which Jesus is transfigured and becomes radiant upon a mountain. [108] [109] The Synoptic Gospels (Matthew 17:1–9, Mark 9:2–8, Luke 9:28–36) describe it, and 2 Peter 1:16–18 refers to it. [108]
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who took up iconography needed to start his craft by producing the icon of the Transfiguration. [85] Whereas Western depictions aim for proportion, the abolition of perspective and alterations in the size and proportion of an image in Eastern icons aim to ...