Search results
Results from the WOW.Com Content Network
The piccolo or sopranino mandolin is a rare member of the family, tuned one octave above the mandola and one fourth above the mandolin (C 4 –G 4 –D 5 –A 5); the same relation as that of the piccolo (to the western concert flute) or violino piccolo (to the violin and viola). One model was manufactured by the Lyon & Healy company under the ...
The mandolin has been a core instrument in bluegrass music from the beginning, along with guitar, fiddle, banjo, upright bass, and sometimes dobro. In the performance of bluegrass music, each instrument has a specific part to play. The mandolin fills three roles at different times during a tune.
Ainu fiddle (Ainu) Ajaeng (Korea) Alexander violin (United States) Anzad ; Apache fiddle (Apache) Apkhyarta (Abkhazia) ... Mandolin (Mandolin family) Japan: Biwa;
A fiddle is a bowed string musical instrument, most often a violin. [1] It is a colloquial term for the violin, used by players in all genres, including classical ...
When the word "mandolin" is said in the 21st century, it usually refers to an instrument with 8 strings tuned in fifths, such as the Neapolitan mandolin or the American bluegrass mandolin. It is also commonly thought that mandolino is a diminutive of mandola, and that therefore the mandolino was a smaller development of the mandola.
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
He joined the Bluegrass Boys in 1961, first playing guitar but switched to fiddle. He sang lead vocal on a recording of "Cotton Fields" and played fiddle on numerous tracks in that and the subsequent year. [when?] He continued working with Wiseman and playing banjo and mandolin. [3]