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Ursula Kroeber Le Guin (/ ˈ k r oʊ b ər l ə ˈ ɡ w ɪ n / KROH-bər lə GWIN; [1] née Kroeber; October 21, 1929 – January 22, 2018) was an American author.She is best known for her works of speculative fiction, including science fiction works set in her Hainish universe, and the Earthsea fantasy series.
Whereas most ethnographic writing is realist, Le Guin's writing completely controls and invents the world in "The Matter of Seggri" through her use of speculative fiction. Cristales argues that Le Guin’s writing style has an "anthropological sensibility" and her work shows interest in how societies work and how cultures are formed.
The Language of the Night: Essays on Fantasy and Science Fiction is a collection of essays written by Ursula K. Le Guin and edited by Susan Wood. It was first published in 1979 and published in a revised edition in 1992. The essays discuss various aspects of the science fiction and fantasy genres, as well as Le Guin's own writing process. The ...
Le Guin's father Alfred Louis Kroeber and mother Theodora Kroeber were scholars, and exposure to their anthropological work considerably influenced Le Guin's writing. [12] [13] The protagonists of many of Le Guin's novels, such as The Left Hand of Darkness and Rocannon's World, are also anthropologists or social investigators of some kind. [14]
Steering the Craft: Exercises and Discussions on Story Writing for the Lone Mariner and the Mutinous Crew is a 1998 nonfiction book by Ursula K. Le Guin.Developed from a writers' workshop led by Le Guin, the book contains self-guided exercises and discussions focused on the craft of narrative prose.
Feminist critiques of her writing were particularly influential upon Le Guin's later work. [3] Le Guin's first published work was the poem "Folksong from the Montayna Province" in 1959, while her first short story was "An die Musik", in 1961; both were set in her fictional country of Orsinia.
"The Ones Who Walk Away from Omelas" (/ ˈ oʊ m ə ˌ l ɑː s / [1]) is a 1973 short work of philosophical fiction by American writer Ursula K. Le Guin. With deliberately both vague and vivid descriptions, the narrator depicts a summer festival in the utopian city of Omelas, whose prosperity depends on the perpetual misery of a single child ...
Burroughs' use of experimentation such as the cut-up technique and his use of science fiction tropes in new manners proved the extent to which prose fiction could seem revolutionary, and some New Wave writers sought to emulate this style. Ursula K. Le Guin, one of the newer writers to be published during the 1960s, describes the transition to ...
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