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Here is the discography of American singer-songwriter Billy Joel. He has released 13 studio albums, seven live albums, 18 compilation albums, 10 video albums, 82 singles, three promotional singles, and 45 music videos.
"It's Still Rock and Roll to Me" is a song written and performed by Billy Joel, from the hit album Glass Houses. Released in 1980, the song peaked at number 1 on the Billboard Hot 100 for two weeks, from July 19 through August 1, 1980, making it Joel's first number 1 hit single in the United States.
"Allentown" is a song by American singer Billy Joel and the lead track on Joel's 1982 album The Nylon Curtain. Released as the album's second single, it was accompanied by a conceptual music video . Upon its release, and especially in subsequent years, "Allentown" emerged as an anthem of blue-collar America, representing both the aspirations ...
William Martin Joel (born May 9, 1949) is an American singer-songwriter, composer and pianist. Commonly nicknamed the "Piano Man", he has been making music since the 1960s ...
"Sometimes a Fantasy" is a song by Billy Joel, released in 1980 as the last single from his seventh studio album Glass Houses. The single peaked at No. 36 on the US Billboard Hot 100. The song is a "melodic, fast paced rocker" [1] and starts with Joel dialing a number on a telephone (which he is depicted doing on the single cover). [1]
The music video of the song features the full version, instead of the shortened one. A common motif in the video is the use of water, whether splashed on Joel's shoes, rushing out from school desks, or flooding his apartment. The video was directed by Russell Mulcahy and made its premiere on MTV on September 9, 1982.
Music video "You May Be Right" on YouTube " You May Be Right " is a song written and performed by rock singer Billy Joel , released as a single and the opening track from his 1980 album Glass Houses .
"A Matter of Trust" is a song by Billy Joel from his 1986 album The Bridge. [2] It was released as the album's second single and became a top ten hit. The song gained major traction in the Soviet Union as part of a state-sponsored television promotion of Joel's songs in preparation for his 1987 USSR concerts, recorded on Kontsert .