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Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
The RGB color model is an additive color model [1] in which the red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue. [2]
Primary colors of the CMY color model: cyan, magenta, and yellow, mixed to form secondary colors red, green, and blue. The RGB color model is an additive mixing model, used to estimate the mixing of colored light, with primary colors red, green, and blue. The secondary colors are yellow, cyan and magenta as demonstrated here:
Color wheel with Irish color terms, explaining that the difference between glas ('light blue/gray/green') and gorm ('deep blue/gray/green') is based on intensity rather than hue. Similarly, rua refers to deep reds while dearg refers to bright reds, and geal , bán and fionn all refer to varying degrees of brightness or "fairness", without ...
To form named hues, the seven chromatic base colors, i.e. red, orange, brown, yellow, green, blue and purple, can either be combined with each other and a hyphen in between or with a prefixed splash color, i.e. the same terms with an -ish suffix. The resulting hue may be varied by lightness, saturation or both.
Berlin and Kay's work proposed that the basic color terms in a culture, such as black, brown, or red, are predictable by the number of color terms the culture has. All cultures have terms for black/dark and white/bright. If a culture has three color terms, the third is red. If a culture has four, it has either yellow or green.
Every red paint, for example, is said to be tainted with, or biased toward, either blue or yellow, every blue paint toward either red or green, and every yellow toward either green or orange. These biases are said to result in mixtures that contain sets of complementary colors, darkening the resulting color. To obtain vivid mixed colors ...
This model designates red, yellow and blue as primary colors with the primary–secondary complementary pairs of red–green, blue-orange, and yellow–purple. [2] In this traditional scheme, a complementary color pair contains one primary color (yellow, blue or red) and a secondary color (green, purple or orange).