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Kushan dance or kushan nritya or kushan gaan is a Rajbongshi folk drama form based on Krittivasi Ramayan. The artistes narrate the story of Ramayan in Kamtapuri or Rajbongshi language through musical verses. The Kushan folk theater is traceable to the 15th century when the Koch dynasty ruled Assam, West Bengal, and the current northern Bangladesh.
Gaudiya Nritya (Bengali: Gaur̤īẏa Nṛtya or Gour̤īyo Nrityo) is a classical dance tradition. [ 2 ] [ 3 ] [ 4 ] This dance expressed religious stories [ 5 ] through songs written [ 6 ] and composed to the ragas & talas [ 7 ] of Gaudiya music by ancient poets, especially Vaishnavism . [ 8 ]
Gombhira, Gambhira or Gamvira (Bengali: গম্ভীরা) is a type of Bengali folk song and dance originating in the Bengal region, from what is known today as northwestern Bangladesh and north eastern West Bengal, India.
Brita dance (Bengali: বৃতা নৃত্য) or Vrita dance is a traditional Bengali folk dance from West Bengal, India. It is performed by the Bengali women in rural areas to ask the deity to bless them with children and to show gratitude for helping them recover from contagious diseases like chicken pox. The folk dance is performed on ...
Dhamal (Bengali: ধামাল), better known as dhamail (Bengali: ধামাইল), is a form of Bengali folk music and dance prevalent in the Mymensingh and Sylhet regions of northeastern Bengal, in present-day Bangladesh and eastern India.
Kathak (Uttar Pradesh, Classical Indian Dance) Kathakali (Kerala, India, Incorporates dance) Kerala Natanam (Indian Dance created by Guru Gopinath) Krishnanattam; Kuchipudi (Classical Indian Dance, Andhra Pradesh) Kolattam (folk Tamil Nadu) Koli Dance (Folk Maharashtra) Karakattam (folk Tamil Nadu) Kanyarkali (Folk Dance, Kerala; Kalbelia (Folk ...
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Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
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