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Beethoven, indeed, is credited with composing one of the first cello sonatas with a written-out piano part. [1] The Op. 5 sonatas are the first two examples of fully developed cello sonatas in the modern tradition. [2] Both of these sonatas are in two movements, with an extended Adagio introduction preceding the opening Allegro of both of them.
The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven. [1]
The Cello Sonata No. 3 in A major, Op. 69, is the third of five cello sonatas by Ludwig van Beethoven. He composed it in 1807–08, during his productive middle period . It was first performed in 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann , a student of Beethoven.
Suite-sonata for cello and piano (1974–75) [29] Boris Tchaikovsky. Cello sonata in E minor (1957) Alexander Tcherepnin. Ode für Violoncello und Klavier; Sonata No. 1 for cello and piano Op.29 (1924). Sonata No. 2 for cello and piano Op.30 No.1 (1924) Sonata No. 3 for cello and piano Op.30 No.2 (1919–26) Mystère op. 37 Nr.2
Sonata for cello, piano, seven winds, and percussion; Leo Sowerby. Three sonatas for violin and piano No. 1 in A major; No. 2 in B-flat major (1922) No. 3 in D major; Sonata for Cello and Piano (1920) Sonata for Viola and Piano (also playable on clarinet) Piano Sonata in D major (1948, rev. 1964) Sonata for Trumpet and Piano (1958)
However, like many works of this period, to broaden the potential market for the work, an arrangement of the sonata for cello was made, probably by Beethoven, for publication. It was then published as "Sonate pour le Forte-Piano avec un Cor ou Violoncelle." Versions for violin, flute were also made.
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