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Major Lance (April 4, 1939, [a] – September 3, 1994) [2] was an American R&B singer. After a number of US hits in the 1960s, including " The Monkey Time " and " Um, Um, Um, Um, Um, Um ", he became an iconic figure in Britain in the 1970s among followers of Northern Soul .
Prehistoric cave painting of animals at Albarracín, Teruel, Spain (rock art of the Iberian Mediterranean Basin) Cave artists use a variety of techniques such as finger tracing, modeling in clay, engravings, bas-relief sculpture, hand stencils, and paintings done in two or three colors. Scholars classify cave art as "Signs" or abstract marks.
The song was Major Lance's third release to make the Billboard Hot 100 and his most successful hit with a #5 peak on the Billboard Hot 100 on 8 February 1964 with a #1 peak on the Cash Box R&B chart (Billboard did not run an R&B chart November 1963-January 1965). [3] In Canada it reached #6. [4] In the UK it reached #40, Lance's only UK chart ...
Major Lance's Greatest Hits Recorded Live at the Torch is an album by the soul artist Major Lance, released in 1973 on Contempo Records.It was recorded live in front of a sell-out audience [3] at the Torch, Tunstall, Stoke-On-Trent, on 9 December 1972 and has been described as "perhaps the best Northern soul album ever made", [4] and "a one-off gig when everything came together in perfect ...
The researchers used the same dating method to reassess the age of another Sulawesi cave painting from a site called Leang Bulu' Sipong 4, also depicting a narrative scene, this time depicting ...
Rock paintings in the Toquepala Caves in southern Peru are dated at ca. 11,500 years ago. [45] Some of the paintings are figurative, notably including a scene of armed men hunting guanaco cameloids. The men are in a posture of attacking the animals with axe, lances, and spear throwers (but not including bow and arrow).
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The sophisticated manipulation of form in the Guerrero cave paintings suggests that the “cave artists were court painters and the caves were used by some local elites.” [8] With that said, at Juxtlahuaca and Oxtotitlan the paintings are certainly the work of well trained artists, practiced in the themes and pictorial conventions of Olmec art but the Cacahuaziziqui paintings have a ...