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The lyrics also show a trend toward those more commonly associated with "Children, Go Where I Send Thee." For instance, the line "Two, two, the lily-white boys clothed all in green" in Grainger's recording has become "One was the little white babe all dressed in blue" in the Bellwood Prison Camp recording. [7] [2]
Matthew 3:2 is the second verse of the third chapter of the Gospel of Matthew in the New Testament. John the Baptist has been introduced in the first verse and this verse describes the message that he is preaching. Through John's message, Matthew introduces the "Kingdom of Heaven".
"My Mother's Bible" [18] is among the 'Mother Songs' of the tear-jerker variety Archived 2011-05-22 at the Wayback Machine as selected by Mudcat Cafe. Notwithstanding the sentimentality, "My Mother's Bible" emerged in a number of generally stately hymnals, including the Broadman Hymnal edited by Baylus Benjamin McKinney [19] and Christian Hymns ...
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis, both Choctaw freedmen.
In the Wee Sing video "Wee Sing in the Big Rock Candy Mountains" (1991), the song is sung by Little Bunny Foo Foo to express his sorrow after he is turned into a goon by the Good Fairy for repeatedly bopping the Meecy Mice. He sings a verse of the song again in "Wee Singdom: The Land of Music and Fun " (1996) when he temporarily forgets the ...
There's a Heaven up there." Each additional verse is the same as the first, the word "music" replaced with another word (such as "singing," "shouting," et cetera). In the years following the song's introduction many have added more replacement words, which extend the song's length.
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"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
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