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Jimmy Vestvood aspires to be a cool cop like his childhood idol, Steve McQueen in the movie Bullitt, but soon discovers that the best job he can get is as a security guard at a Persian grocery store. Through a series of comically fateful events, Jimmy's naiveté is exploited when a corrupt arms dealer hires him as a private investigator.
Critic Douglas Pratt gave the film a positive review in his 2004 book Doug Pratt's DVD: Movies, Television, Music, Art, Adult, and More!. He writes, "the 1997 film's first half is outright excellent. Dolph Lundgren is the guy who carries the briefcase for the president that has all the nuclear war codes in it. Villains come in like gangbusters."
Gang Busters is one of Universal's most elaborate serials, with many chase and thrill scenes expertly staged in outdoor locations. The directors were Ray Taylor , veteran director responsible for many hit serials, and Noel M. Smith , former silent-screen director who specialized in fast action (Smith directed many of Larry Semon 's stunt-filled ...
Gang Busters, a movie serial based on the radio series; Gang Busters, a 1955 crime film "Gang Busters" (Tiny Toons episode), a Tiny Toon episode; Gangbuster (DC Comics), a DC Comics character; Gangbuster, a 1977 crime film; Gangbusters (role-playing game), a role-playing game
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
[4] G-Men, using only FBI cases, was subject to Hoover's whims and restrictions. Gang Busters, however, featured interesting and dramatic crimes from the files of law enforcement organizations all over the country. [2] G-Men was on NBC Radio from July 20 to October 12, 1935, sponsored by Chevrolet.
The dwindling ranks of the Magnificent Seven are finally getting reinforcements. The S&P 500, Dow Jones and Nasdaq all notched record highs Wednesday and Thursday.
Like the radio program Gang Busters, the TV Gangbusters was created by Phillips Lord. Content of episodes was factually based and included interviews with professionals in law enforcement. [1] Lord narrated the episodes, [3] which used a "semi-documentary style" [3] to dramatize actual cases taken from files of law-enforcement agencies. [2]