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Vartan herself recorded the song also in Italian (under the title "La Maritza") and in German (under the title "Lied ohne Wiederkehr", meaning "Song of No Return"). [1] Seija Simola 's version reached at least the top 6 in Finland in 1970 (according to the chart, courtesy of INTRO, published in the "Hits of the World" section of the 21 January ...
Maritza orders him to repeat it; he refuses, and the angry countess announces that he is fired. Manja predicts that The Countess will be very happy in love. "One moon will pass over this Earth and Maritza will find her happiness", she sings. Maritza therefore decides to remain on her estate. She stops Tassilo from leaving and apologises.
"Irrésistiblement" ("Irresistibly") is a song by French pop singer Sylvie Vartan, released in July 1968. Co-written by Jean Renard (who also produced the song) and Georges Aber, the song was released as the lead single off of Vartan's 1968 studio album La Maritza.
With essay by Maritza Stanchich. University of Washington Press, 2008. Vázquez Arce, Carmen. Por la vereda tropical: notas sobre la cuentística de Luis Rafael Sánchez. Buenos Aires: Ediciones de la Flor, 1994. (On the tropical lane [phrase taken from a song]: notes on Luis Rafael Sánchez's short story art.) Waldman, Gloria.
The Odyssey: A Modern Sequel is an epic poem by Greek poet and philosopher Nikos Kazantzakis, based on Homer's Odyssey. [1] It is divided into twenty-four rhapsodies as is the original Odyssey and consists of 33,333 17-syllable verses. Kazantzakis began working on it in 1924 after he returned to Crete from Germany. Before finally publishing the ...
Like Calderón de la Barca's earlier El golfo de las sirenas (The Sirens' Gulf, 1657), El Laurel de Apolo mixed mythological verse drama with operatic solos, popular songs and dances. The characters in these early, baroque zarzuelas were a mixture of gods, mythological creatures and rustic or pastoral comedy characters; Antonio de Literes 's ...
The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of the exiled Mexicans. The song was recorded in 1906 [2] by Señor Francisco. [3] [4] A guitar instrumental was recorded by Chet Atkins in 1955. The song has also been recorded by Caterina Valente (1959) Nat ...
In modern Spanish the title might be rendered El Poema de mi Señor or El Poema de mi Jefe. The expression cantar (literally "to sing") was used to mean a chant or a song. The word Cid (Çid in old Spanish orthography), was a derivation of the dialectal Arabic word سيد sîdi or sayyid, which means lord or master.