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Alongside the very large tob dresses of Upper Egypt are those that have narrower rectangle sleeves, often with an under arm gusset. Like the previous dress style, the sleeve style has tightened over time. The skirt flares out, making full use of the width of the material. More dramatic flaring became popular as time went on.
The dress was referred to as “the slim look for five o’clock on”. For a casual look, the sheath dress was matched with a short sleeve print bolero. As a business attire, a box jacket when over the bolero as well as the dress. [11] As the cut of the dress became easier to construct, textures were added to the dress such as beads. [12]
The cowled-neck "monk dress" was another religion-inspired alternative; the cowl could be pulled up to be worn over the head. For evening wear, skimpy chiffon baby-doll dresses with spaghetti-straps were popular, as well as the "cocktail dress", which was a close-fitting sheath, usually covered in lace with matching long sleeves. [57]
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
The length of the dress denoted the social class of the wearer. [11] Beading or feathers were also used as an embellishment on the dress. [12] Over the dress, women had a choice of wearing shawls, capes, or robes. The shawl was a piece of fine linen cloth around 4 feet wide by 13 or 14 feet long, which was mostly worn pleated.
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