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In literary criticism, close reading is the careful, sustained interpretation of a brief passage of a text. A close reading emphasizes the single and the particular over the general, via close attention to individual words, the syntax, the order in which the sentences unfold ideas, as well as formal structures. [1]
Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's An Essay on Criticism and An Essay on Man). While brevity usually defines an essay, voluminous works like John Locke 's An Essay Concerning Human Understanding and Thomas Malthus 's An Essay on the Principle of Population are ...
In all the examples that follow, the word after the acronym repeats a word represented in the acronym. The full redundant phrase is stated in the parentheses that follow each example: "I forgot my PIN number for the ATM machine." (Personal Identification Number number; Automated Teller Machine machine) "I upgraded the RAM memory of my computer."
A synonym is a word, morpheme, or phrase that means precisely or nearly the same as another word, morpheme, or phrase in a given language. [2] For example, in the English language , the words begin , start , commence , and initiate are all synonyms of one another: they are synonymous .
The essay concludes, "The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy." The work can be seen in relation to other absurdist works by Camus: the novel The Stranger (1942), the plays The Misunderstanding (1942) and Caligula (1944), and especially the essay The Rebel (1951).
The essays usually relate in some way to, or reflect upon, the honoree's contributions to their scholarly field, but can include important original research by the authors. Many Festschriften also feature a tabula gratulatoria , an extended list of academic colleagues and friends who send their best wishes to the honoree.
When you look next to you and see someone giving off that vibe, that aura, for a lot of people, it calms them. Because you’re like, ‘Oh, she’s going to play great.’”
By decreasing the extraneous content, the viewer is more likely to focus on the primary objects. Clutter can also be reduced through the use of lighting, as the brighter areas of the image tend to draw the eye, as do lines, squares and colour. In painting, the artist may use less detailed and defined brushwork towards the edges of the picture.