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In 1925, Fleischmann married Josef Albers, the latter having rapidly become a "Junior Master" at the Bauhaus. [6] The school moved to Dessau in 1926, and a new focus on production rather than craft at the Bauhaus prompted Anni Albers to develop many functionally unique textiles combining properties of light reflection, sound absorption, durability, and minimized wrinkling and warping tendencies.
English: Anni Albers (1899–1994) ... Flickr photo ID. 46054196894. File history. Click on a date/time to view the file as it appeared at that time. Date/Time
English: Anni Albers (1899–1994) Design for a Rug 1927 Black ink and watercolour over graphite with drawn and cut paper additions on off-white wove paper Image: 21 x 15.6 cm Sheet: 32.1 x 25.1 cm Harvard Art Museums, Cambridge, Massachusetts
English: Anni Albers (1899–1994) Design for a Jacquard Weaving 1926 Black ink, transparent and opaque watercolour and graphite on cream wove paper Image: 25.8 x 16.3 cm Sheet: 34.3 x 28.6 cm Harvard Art Museums, Cambridge, Massachusetts
Photo of weavings exhibited in Anni Albers' retrospective at Tate Modern in 2018. In 1939, art critic Clement Greenberg wrote " Avant-Garde and Kitsch " where he presented his ideas about "high" and "low" art.
Andrew Tate’s soaring popularity with young men is a reaction to the “feminization” of culture, according to 28-year-old political commentator and author Coleman Hughes.
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The only national art world press was written by Louise Bourgeois for Craft Horizons and was negative and suggested that the work was not fine art. [5] [1] As craft theorist Elissa Auther states in her 2009 book String Felt & Thread: "Despite the awareness of the negative art world attitudes concerning media traditionally associated with the crafts, the strategy Constantine and Larsen adopted ...