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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
English: Picture of the back entrance to the southern building of the Bon Accord Centre, formerly the St. Nicholas Shopping Centre Date Taken on 2 May 2024, 17:48:11
Bon Accord (motto), the ancient motto of Aberdeen; Bon Accord Baths, a listed building and disused indoor swimming pool; Bon Accord Centre, a shopping centre complex; Bon Accord Free Church, a congregation of the Free Church of Scotland; Bon Accord F.C., a former football (soccer) club
The Bon Accord centre is the second-largest shopping centre complex in Aberdeen, Scotland and serves a large catchment area including the city and surrounding Aberdeenshire. The centre was constructed as two separate entities: the St. Nicholas Shopping Centre in 1985 and the adjacent Bon Accord Shopping Centre in 1990.
Silverburn is an out-of-town shopping centre located on Barrhead Road in Pollok, Glasgow, Scotland.The development replaces the 75-acre (30-hectare) Pollok centre with a brand new 1,500,000-square-foot (140,000-square-metre) shopping centre, anchored by Tesco, Next, Marks & Spencer and previously Debenhams before it closed in 2021.
Amaryllis was a restaurant located in the One Devonshire Gardens hotel in Glasgow, Scotland. It was opened by chef Gordon Ramsay, with David Dempsey operating the restaurant on a daily basis for the celebrity chef. It was awarded a Michelin star in 2002, which it held until the restaurant's closure in 2004.
In 1989 the gallery moved to 28 King Street, Trongate, Glasgow. [9] The new space was a 'white cube' gallery. Nicola White wrote in 1995: 'Previously the gallery had deliberately positioned itself outside the cultural mainstream. In the early '90s Transmission became, not mainstream, but certainly more allied to the international art scene.