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Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
Ismail Merathi (1844–1917) was an Indian Urdu poet, schoolteacher, and educationist from the Mughal–British era. His poems for children like Nasihat, Barsaat, Humaari Gaye, Subah Ki Aamad, Sach Kaho, Baarish Ka Pehla Qatra, Pan Chakki, Shafaq, and several others are part of the primary school curriculum in Pakistan. [1]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Faiz Ahmad Faiz [a] MBE NI (13 February 1911 – 20 November 1984) [2] was a Pakistani poet and author of Punjabi and Urdu literature. Faiz was one of the most celebrated, popular, and influential Urdu writers of his time, and his works and ideas remain widely influential in Pakistan and beyond. [3]
Hakim Ahmad Shuja – Pakistani Urdu and Persian poet (1893–1969) Iftikhar Arif – Pakistani poet and litterateur (born 1944) Jaun Elia – Pakistani poet (1931–2002) Jawayd Anwar – Pakistani poet and writer (1959–2011) Josh Malihabadi – Indian poet (1898–1982) Kishwar Naheed – Pakistani writer
Zauq was a prominent contemporary of Ghalib and in the history of Urdu poetry the rivalry of the two poets is quite well known. During his lifetime Zauq was more popular than Ghalib for the critical values in those days were mainly confined to judging a piece of poetry on the basis of usage of words, phrases and idioms. Content and style were ...
Miraji's literary output was immense but he published very little of his poetry during his lifetime. However, Khalid Hasan, in his article "Meera Sen's forgotten lover," [citation needed] records that during Miraji's lifetime four collections of Miraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore.