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The Roman version of the Pange lingua hymn was the basis for a famous composition by Renaissance composer Josquin des Prez, the Missa Pange lingua. An elaborate fantasy on the hymn, the mass is one of the composer's last works and has been dated to the period from 1515 to 1521, since it was not included by Petrucci in his 1514 collection of ...
Pange lingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited to the Christian poet St. Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ.
Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. [1] The hymn's Latin incipit literally translates to "Therefore so great".
The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings.
Pange lingua may refer to either of two Mediaeval Latin hymns: " Pange lingua gloriosi proelium certaminis " by Venantius Fortunatus , a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week . [ 1 ]
A live performance of the Wöss' edition as Pange lingua by the Choir Rondo Histriae (September 2006) can be heard on YouTube: Bruckner's Pange lingua; Live performances of the original setting of the motet: Vocal ensemble of the University of Cologne (October 2015): Anton Bruckner: Tantum ergo – without the optional bars; Choral Vespers ...
He composed several settings of the Pange Lingua Gloriosi Corporis Mysterium, mostly based on the original Mozarabic melody composed by St. Thomas Aquinas. One of his compositions for four voices was widely performed in the sixteenth century, and became the basis for a number of keyboard works and masses by Spanish composers.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.