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Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Columbia Pictures (American Film Technologies) [194] Destry Rides Again: 1939: 1996: Universal Pictures [195] The Devil Bat: 1940: 2008: Legend Films [196] The Devil Commands: 1941: 1991: Columbia Pictures (American Film Technologies) [197] The Devil-Doll: 1936: 1992: Turner Entertainment [198] Devil's Doorway: 1950: 1992: Turner Entertainment ...
While black-and-white film has no color temperature itself, the silver halide grains themselves tend to be slightly more responsive to blue light, and therefore will have daylight and tungsten speeds — e.g. Kodak's Double-X stock is rated 250D/200T, since the tungsten light will give slightly less exposure than an equivalent amount of daylight.
The process of stripping for general commercial offset printing has largely been eliminated through the use of digital prepress technology, in which imposition software is used to "digitally strip" the pages together. Some printing technologies continue to use stripped film, especially in silk-screen printing, although this is likely to change ...
American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
A single clear strip of black-and-white film with the soundtrack and frame lines printed in advance was first treated with a mordant solution and then brought into contact with each of the three dye-loaded matrix films in turn, building up the complete color image. Each dye was absorbed, or imbibed, by the gelatin coating on the receiving strip ...
Best Art Direction – Black-and-White: Art Direction: Hans Dreier and John Meehan; Set Decoration: Samuel M. Comer and Ray Moyer: Won Best Cinematography – Black-and-White: John F. Seitz: Nominated Best Film Editing: Arthur P. Schmidt and Doane Harrison: Nominated Best Scoring of a Dramatic or Comedy Picture: Franz Waxman: Won Blue Ribbon ...
The colorization by Legend Films was designed to look like normal three-strip film but was then color corrected to match the two-strip look of the premiere's reenactment. Also in The Aviator, Scorsese used colorized footage of Jane Russell from the original black-and-white film, The Outlaw and dog fight scenes from Hell's Angels.